Becky lecture at the Central Band Classic Summary -
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1. Singing posture is very important. To stand up straight, legs to stand on the support of average strength. Head position is more important than the location of the body. Some sing treble head up, seems to save some strength to sing up, is not the case. Head up to treble tight. Throat will be tight, not loose. Correct: the first should be lower, but not too low. There are a lot of head resonance, resonate voice in the head, the sound great. Head movements and melodies to the contrary, the higher the head is slightly lower, the sound seems to go down to the chest. -
2. Singing, try to avoid singing has nothing to do with those muscles. Control of breathing using the diaphragm as far as possible does not involve other muscles, not as hard as moving things, so will shut up all of the cavity, the sound shut tight. Do not be nervous when singing, natural singing, shoulder to relax, not to have little tricks to sing only when the diaphragm. -
3. Open throat dragon. Open the throat is very simple, when you trapped, the speech side of the yawning face, this time on the open throat. Open mouth, the throat is more important than the open! This singing voice does not open the throat than just mouth the sound is more brighter. So, with the throat with the mouth open, Zhang was the best back bigger! Like an inverted funnel with large mouth one in the neck at the throat, in the mask at the funnel tip. If the sound location have been entered mask, sound gradually be able to sing from the lightest strongest. -
Note: only the mouth does not open the throat: the former mouth after mouth -
mouth small, but open the throat: the former mouth after mouth (the inverted funnel) -
4. Focus. Singing voice seems to put the movie, the sound must resonate, the focus should be concentrated, focused on the mask. Too far, too close will not work. Everyone has their own voice to do the focus, focus, and sound more and more; not focus sound on the loose. Requires sound, could not be put on a shelf one day, when the resonance point to start small, then expand open, Yue Changyue large. This method of voice, small voice, as if the light behind the mirror, you can make the light farther away. Forehead, sinus, etc. are the empty cavity resonance, to make the best use. -
5. Breathing. Singing, the use of breathing when lying down to sleep. In Xiongshihuxi and abdominal breathing (diaphragm), I prefer abdominal breathing, so you can suck too deep. And fast. But no matter what kind of breathing, can not be two kinds at the same time with! This is a contradiction, as a foot brake, foot throttle. -
6. Training sound. You first find the best sound and then later down the up, down to sing, mouth, throat position are not moving, singing sound close to the experience as far as possible, try to imitate that sound best, which is called . Everyone should have a Pay special attention to voice, throat feeling. Singing is very abstract, must pay attention to the throat vocal organs, tendons and other skills the state. Sound memory, not only refers to the tone, but including sound quality, sound, intensity. To pursue the unity of the lower sound area. -
7. Sound basic things. First, a little down the throat muscles to make some of Adam's apple, so that the sound of the mellow nature, volume and other than the good up. Second, the singing paul smith boots, we should maintain a column, and the natural voice contrast, in a column based on the more voices to the loud area wider, louder. I said to open the throat, the throat is so open, so the sound is not suppressed, it is not dry out the free, open nasal cavity into the head cavity, play free vibration resonance. Need respiratory support, to maximize the resonance effect, not to say that after opening the throat pressure, squeezing, sound white. If we can find a correct position, the sound automatically, right into the mask. -
8. Vocal cords like a rubber band, but also can sustain both stretched wide. However, if a person is not normal to play their true sound, but deliberately stays large and medium, whispered the voice area, so the treble can not sing up. Even up to sing, the sound is swagger. Correct position is sound: the sound of the width by loud area with a high limit position, to set in, whispered the voice volume and location, rather than in a low voice sounds deliberately stretch the area a sound up to practice oakley eyeglasses, sing the first note, the Adam's apple down, and then further on to sing the second tone control Adam's apple does not move, Enhancing a second sound, and then further training on the third, fourth, and gradually increased. -
9. Open throat, larynx and throat and stable relationship between the two muscle force. Throat two powerful neck muscles, is asking the two muscles help open the throat, rather than the throat clenched. The right to open the throat is felt to four weeks to expand the neck. The easiest way is with a natural feel to his speech, yawning, to sing. Another way is when the singing voice to the mouth was shaped like a smile. Pouting, pull the chin to form a vertical oval mouth, throat tightness easy. -
10. How to solve the problem for the sound point. In, whispered the voice area, with the loud area as wide as it is easy to transition. If the following There is too wide, make it too difficult to transition to sound in the past. In a low voice, the voice had started up to sing, the first treble sound like a good location, location by the voice to sing, you can successfully in the past. Because the location of the sound resonance in the mask remain. Transition singing voice, do not force hard to sing soft and smooth completion. -
11. Would still have to sing pianissimo mask resonance, sound and tone and asked to sing the same strong tone. Sing the treble, the sound in the mask in very loud, very bright, singing bass should also have this effect, but more gentle. -
12. Sing treble note, not big mouth. Use abdominal breathing to sing treble, upper abdomen should be slightly out of some. -
13. Should try to touch the throat with a way to prevent the sound. To sing with a smile, from treble to bass, each voice has a position, there is support, hold, voice not to exert oneself. Sing treble suddenly play up, down as much as possible in accordance with that position even when down, the same location. -
14. Do not be afraid little voice! I know that many people singing in the sound area when they want to stretch his voice. Do not so, the sound to the United States, the location must be high, quality is higher. To maintain the same position is difficult, because the diaphragm always lazy. -
15. Sing HC, to be weak, and little. Do not mouth to sing, and ran half the gas, to feel all limp green face it! The art of singing is the art of breathing is to absorb much more slowly as possible when singing up. Vibration of the vocal cords with very little gas. The trick is to point smaller! Sing big on the look limp dead. -
16. Do not hard to sing bass, simpler, the same as knocking out a small hammer; singing treble, like a small bell on the inside, especially the lyric soprano. Where hum on where to sing. To the position, do not exert oneself. -
17. Treble end that you can sing better, for good air, suddenly play up, point a small and extended zoom. -
18. Breathing, the diaphragm look four weeks to expand, especially in front of the diaphragm is very solid. Remember, be sure to use diaphragm breathing! -
19. Each word, each vowel must always maintain a high position, the focus has always been focused on resonance. You sing so viewers will feel effortless. The key is stable fixed throat, not * big mouth to convert between different vowels. Throat the same position, free to sing some of the light or dark tone sound, the sound of the resonance point is always focused on the point, like motion pictures, focus point-and-clear, otherwise the image will blur. Sound is the same reason. -
20. Do tongue protruding, tongue action, the sound becomes. Tongue flat to make more room for the mouth. -
21. Sound position to be placed inside the mask radii 420 low, you can have sympathy, do not hold back in the throat, to be released. There are two points we should always do: First, Adam's apple down; second, diaphragm muscles strong to support the live sound and stable. Mouth to form cross-oval, not a vertical oval. Outside the mouth open too much, inside the mouth will be smaller. Use look in the mirror, when you want to open the throat, really open? If the real open, to remember the muscle movement. -
22. Whether up or down to sing, the sound of the location can not be changed. Must use legato singing, until the final sound. Always strong support of the diaphragm. Particular attention to the throat with the Freeze. Sing the treble, to puff enough gas sing, and focus the body's energy will sound even up. -
23. Chest when the chest is always singing, and mouth to speak as naturally as. Sing piano, singing a powerful voice the same location, full, bright. Face to face with a smile, singing, sound position on high, into the mask cavity resonance. Sound to be wide, to round, to bright, but not the mouth to do it, but which opens the throat. But no respiratory support can not open the throat, respiratory support, the sound is relaxed. I said, -
24. To open the jaws at the sound can be deep! Chewing on the teeth at every word, so you can not big mouth! Which opens with pronunciation, mellow sound, the location of each vowel is also easy to unity. -
25. You have to remember to do two things: open the throat, keeping the sound position. Area in a low voice, not hard, like speak. Do not one to sing treble treble lips moving large, there is no position. Do not suddenly big mouth, we must always hold that state. The sound always seems to float on top. -
26. Do not open the mouth up and down too much, do not be too much, not up and down the O (vertical oval shape is easy to mouth clenched throat!). Mainly inside the open position inside the pronunciation high. The singer has this process, it will slowly find the resonance point. -
27. Sound sing bel canto school requirements are very consistent, every vowel to be in a line, the line is pure, breathing position is the same. -
28. Open throat, the sound resonates into the mask at the diaphragm has the power, control the supply of breath. These three must be linked together with the good. Sing the treble on the one hand up the sound position, to focus mask resonance, on the other hand, have to sit down with the feeling of the human body, and feel a force downward to the chest, until the diaphragm at. -
29. Continuity of practice atmosphere, with
quick to sing 1234 5432 1,234,567,121,765,432 1 This practice, both high and low voices unified contact, but qi. Note Do not close the throat when you sing, do not extend to the pitch at the head and neck. Slow practice is to scale the location to find a unified voice, a sound a tone to find the right position. And rapid scale, mainly exercises the diaphragm muscle, it is not lazy, maintaining a strong, flexible and elastic, for fast, fast absorption, like dog breath. We must insist on practicing every day! ! -
30. Singing must have control of the diaphragm in breathing. Whether any parts, be sure to pull down the Adam's apple. Adam's apple if they can pull down, the more the sound up to sing, resonate with the more concentrated focus. Remember, do not screaming singing treble. -
31. If a person is singing, the sound position to put too right, proper breath control, facing the candles to sing, it will not destroy. If off, it shows a leak. Sound can not come out from his mouth, not too open. -
32. Do not deliberately look for the sound, but called to find your voice. Singing treble, but down on the past to have the feeling (Becky moving up from the throat with his right hand, said to mask the sound resonate at a high position, his left hand moving down from the throat, which means the sound intensity should be deep, but both diaphragm strength of support, but also chest resonance. -
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